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  Message 1537 of 2630   Reply ] Forward ] View Source ]    
 

From:   <genghis12@a...>
Date: Sun Apr 2, 2000 8:28pm
Subject: Re: Star Wars Episode I RPG


In a message dated 4/3/00 2:55:34 AM !!!First Boot!!!, 
admiral.bizfip@v... writes:

> Genghis, inquiring minds want to know, what is all this? Where's it come
>  from? Are you privvy to some source of which none of us are aware?

All of this is from the new Star Wars Episode I roleplaying game, "Star Wars 
Episode I Adventures"

It is produced under the LucasBooks banner

It certainly seems that way.

But, seriously...here's part of a press release on this diamond-in-the-rough 
product:
-----
How to Order Episode I Adventures
Sat, Jan 22, 00 06:55:21 PM EST

Many of you have been writing asking how to get the Episode I Adventures. For 
those that don't know, this is a kid's RPG game from Scholastic that comes 
with a book that features our favorite characters in action. It might be easy 
to write this series off as kids stuff, but it does have stuff the completist 
will want. It's got the first appearance of Jorus C'Boath (whose mad clone is 
in Timothy Zahn's books), it's got the Jedi Council, and it's got Qui-Gon and 
Obi-Wan in action. If you like the Jedi Apprentice novels, you'll like these. 
It will also feature one of the first stories to show Darth Maul outside of 
the films. 

For some reason that I have yet to figure out, Scholastic has chosen to only 
make these books available through the school market. To find them, you have 
to go to a school book fair or steal a scholastic order form from an 
kindergartner. (Just kidding on the stealing thing, folks. :) It seems like a 
stupid decision, but nobody asked the readers. 
-----

I am also aware of several other ways to get the Episode I RPG besides 
accosting kindergartners.  For even more information, there's an interview 
with Ryder Windham one of the authors of Star Wars Episode I Adventures 
products:

 
------------------------------------------------------------------------------
--
Ryder Windham 
January 2000, by Jeff Boivin

------------------------------------------------------------------------------
--

Ryder Windham is busy writing the last books in the Episode I Adventures 
series (not to be confused with the upcoming Dark Horse TPB) after coming off 
Who's Who in Episode I and the Qui-Gon Jinn one-shot comic book. He used to 
be an editor at Dark Horse Comics and had the chance to contribute to such 
titles as Droids and Shadow Stalker. 
------------------------------------------------------------------------------
--

JB: Thanks for taking the time to answer a few questions. I know you have a 
busy schedule. Are you still working on the new Scholastic Episode I 
Adventures books?

RW: Yes, I'm finishing up the final book in a four-book arc that's set just 
before the events of The Phantom Menace. These books will make up Episode I 
Adventures #9-12, and they're all set on the planet Naboo. I was delighted 
when David Levithan, my editor at Scholastic, offered me the chance to write 
this series, since it meant I could write about the events that lead up to 
Jar Jar Bink's banishment from the underwater city Otoh Gunga. Jar Jar offers 
a lot of comedic opportunities, so it's been immense fun to write. I hope 
readers will enjoy it.

JB: I didn't have the chance to read them (they are not available here in 
Canada, sadly), but book 5, The Ghostling Children, just came out, and it is 
written by Dave Wolverton. Will the series have the same strategy as the 
previous Star Wars Missions series where each writer alternates after 4 
books? Can you give me some titles?

RW: At present, the following list represents the only titles I know. 

Episode I Adventures #1-4 by Ryder Windham
#1 The Search for the Lost Jedi
#2 The Bartokk Assassins
#3 The Fury of Darth Maul
#4 Jedi Emergency
#5-8 by Dave Wolverton
#5 The Ghostling Children
#6 The Hunt for Anakin Skywalker
#7 Capture Arawynne
#8 Deep Trouble

#9-12 by Ryder Windham
#9 Rescue in the Core
#10 The Festival of Warriors
#11 Pirates from Beyond the Sea
#12 The Bongo Rally

#13-#15 are going to be written by A.L. Singer, but I don't know the titles 
yet.
JB: The third book The Fury of Darth Maul has an appearance by Maul's 
protocol droid C-3PX, a droid who would later become an assassin droid in 
Droids #3. Any other special cameos in the future?

 RW: Jorus C'Baoth had very brief appearance in the first Episode I 
Adventures book, but it was just a walk by, and he didn't have any dialogue. 
I don't have any other cameos planned, but it was fun to "introduce" C-3PX 
into the events of Episode I. I figured if Anakin Skywalker built C-3PO, why 
not have Darth Maul build C-3PX? I'd created C-3PX for the Dark Horse comic 
books, and even wrote the story outline, but for some reason (I can't recall) 
I gave the outline to writer Dan Thorsland and I wound up editing the comic. 
C-3PX turned out to be pretty popular. At some point, Anthony Daniels told me 
that he's been asked to autograph more copies of Droids #3, with C-3PX on the 
cover, than any other Star Wars comic.

JB: Speaking of Droids, how did the idea of a Droids series come up? The 
three series really merged well with each other, even though they were 
written by three different authors. And what kind of research was done on the 
Droids cartoon?

 RW: The idea for Dark Horse's Droids comic book series began with Lucy 
Autrey Wilson, Lucasfilm's Director of Publishing. Dan Thorsland and I were 
editing the Star Wars comics at the time, around 1993, when Lucy suggested we 
develop a new series for C-3PO and R2-D2. Lucy is a big fan of Carl Barks' 
Donald Duck comics for Walt Disney, and encouraged us to create something in 
that tradition, mixing humor with adventure. In our pitch to Lucasfilm, Dan 
and I worked up several story ideas. After Lucasfilm approved them, I wound 
up hiring Dan to script most of the comics. I knew he could deliver good, 
tight scripts, and it just seemed silly to hand his outlines over to another 
writer. We did switch off on the editing/writing chores for one issue, Droids 
#5, which was actually the first comic book script I ever wrote.

After the initial six-issue run, Peet Janes took over editing Droids. We 
agreed that any future Droids comics should follow the continuity that had 
been established by the first volume, so there was a deliberate effort to 
make the stories flow in a very linear fashion. As for the Droids cartoon 
series, I've only ever seen a few episodes. I did read through an episode 
guide, just to make sure that our comic book stories were substantially 
different from the animated series. No one likes a copycat.

The thing that really glued the series together was the artists. Bill Hughes 
and Andy Mushynsky collaborated on some issues, and Ian Gibson did the 
others. Cam Kennedy (Dark Empire) illustrated the cover for Droids #1, but 
all the other covers were done by Kilian Plunkett. They all did great work 
with the droids.

JB:Donald Duck's influence really shows in your 3 droids Q-E, 2-E and U-E.

RW: I confess, I've always loved Carl Barks' comics, but it was Lucy Wilson's 
specific mention of his work that motivated me to create Q-E and 2-E, and 
U-E. I doubt I would have ever conceived them if she hadn't steered me in 
that direction, and I'm glad she did, because it gave me the idea for the 
story. Kilian Plunkett designed the Model E droids, and I did tell him that I 
envisioned them as a very affectionate tribute to Huey, Dewey, and Louie. I 
also talked with Ian Gibson, who illustrated that issue, about the tone of 
the thing, that there should be a childlike quality to the little droids.

 JB: You wrote the second series, Droids: Rebellion, which was then followed 
by Droids: Season of Revolt written by Jan Strnad. It's in your story that 
the droids meet an off-screen Han Solo on Nar Shaddaa. That was a nice touch. 
And also Threepio got his silver leg. Why did you give him a golden leg at 
the end of the series?

RW: I'm glad you liked seeing Han Solo's droid, Zee Zee. Since he wasn't even 
identified by name in Droids: Rebellion, I wasn't sure if readers would make 
the connection, but I'd enjoyed his appearance in Dark Empire and thought it 
would be a practical cameo for the sequence on Nar Shaddaa. At the end of the 
Droids: Rebellion, I made sure C-3PO had two golden legs (as opposed to a 
mismatched set) because I was reluctant to suggest that my story was some 
definitive account of how he wound up with a silver leg. In hindsight, I 
guess I could have gotten away with it, but I figured that C-3PO would 
probably go through a few more modifications before the events of Episode IV. 
I thought Jan Strnad did a great job when he picked up where I left off.

JB: Then you co-scripted The Protocol Offensive with the late Brian Daley. 
Your other stories have some references to Brian Daley's creations, like Etti 
IV and Bonadan. And I noticed you like to write fun, character-driven 
stories. Did Mr. Daley's contributions to the Star Wars universe influence 
your work in any way?

RW: Oh, definitely. I'd read all of Brian's Han Solo books when they first 
came out, and I really loved how he handled the characters. I remember 
telling him that one of my favorite scenes from his books was one where Solo 
tells Chewbacca a joke in a bar, and Solo delays the punchline until the 
moment Chewbacca takes a drink, and Chewbacca winds up spewing all over the 
place. I just thought it was such a great little scene, and totally in 
keeping with Han and Chewie. It's easy to write a sentence like, "They'd been 
friends for a long, long time," but Brian was able to illustrate the strength 
and nature of the friendship, and also helped connect the reader to the 
characters. It's difficult to identify with a pair of intergalactic 
smugglers, but Brian showed Han and Chewie could also be a just couple of 
guys, sitting around and telling jokes. Sure, there was also lots of action 
in the Daley books, but I thought it was the moments of humor that brought 
Han and Chewie to life. Brian's scripts for the Star Wars radio dramas are 
also filled with great moments of humor and character-defining dialogue. He 
was very, very good.




JB: You have a story coming up in Star Wars Tales #3. What can you tell us 
about it?
RW: It's an eight-page story featuring Jar Jar Binks, illustrated by Tom 
Fowler, and with a cover painting by Dave Dorman. My jaw dropped when I saw 
the painting, it's such a beauty. The title of the story is "The Death of 
Captain Tarpals." I can say no more!

JB: A disgruntled and embittered loser friend of mine known only as Number 
Eight wants to know how it feels to make #2 on the London Sunday Times 
bestseller list with Who's Who in Episode One.

RW: Please give my regards to Number Eight. I didn't even know that Who's Who 
had been on the bestseller list until Dan Wallace (author of numerous Star 
Wars books and magazine articles) brought it to my attention. Anyway, it was 
nice to know that the book did so well, and I hope Running Press will hire me 
on to write more Star Wars titles in the future. Since I suspect my name on 
the cover of any Star Wars book probably moves only about a dozen copies, I'd 
be deluded to think of myself as a bestselling author. Again, I'm just 
tickled that the people at Lucasfilm like my work and continue to keep me so 
busy.

 JB: I'm going to revert to my nit-picky fanboy personality now and ask some 
continuity questions. Your stories are very entertaining, and are well 
researched. For example, I liked the one shot Shadow Stalker because it 
guest-starred Frija and her father from the old Archie Goodwin newspaper 
strip "Iceworld", reprinted by Dark Horse in Classic Star Wars. And it was 
kind of a prelude to Shadows of the Empire. 

But one thing Darth Vader says gave me a continuity headache : "Months ago, 
on the planet Aridus, I nearly perished in an exploding tower." I could not 
figure out how "months" could have passed between the "Return of Ben Kenobi" 
and "Iceworld" strips when Goodwin's story is continuous! Can you explain?

RW: Hang on, let me take a look at the Goodwin/Williamson strips. Well, 
first, thanks for the nod about the research I do for my stories, and it's 
heartening to know you find them entertaining. I do try. Shadow Stalker came 
about when I was asked to write a serialized story about Jix that tied in 
with Shadows of the Empire, and I thought it would be interesting to 
incorporate some events from the comic strips by Goodwin and Al Williamson, 
of which I'm a huge fan.

Hmmm. No, I can't explain "months ago" except to say that I thought there was 
more time between the strips. Is it too late for me to get some liquid paper 
and waterproof ink and replace "months ago" with "recently" in every single 
printed copy? I'm sorry about this, and not just because it's an error. Allan 
Kausch, the continuity editor for Lucasfilm, will probably have my head on a 
platter.

 JB: You wrote the first of four comic strips in Sholastic's Star Wars Kids 
Magazine entitled "The Rebel Thief." It seems to be a continuation of the 
first four Star Wars Missions books which takes place the day after the 
Battle of Yavin. Was it tricky to write stories during that saturated period 
in Star Wars history? (I wonder why this story is reprinted last in the new 
fan club version of Star Wars Kids by the way...)

RW: Yes, it's increasingly tricky to find available periods for Star Wars 
stories. For Missions, I was told that the series had to be set during the 
events of the classic trilogy. Since Shadows of the Empire had already been 
done at that point, I suggested that Missions should be set immediately after 
the end of "A New Hope," and just before the events of the comics by Goodwin 
and Williamson. It's a pretty tight squeeze, but the folks at Lucasfilm 
thought it would work too.

 As I recall, I'd already written a few of the Missions books when I was 
hired to write the serial for Star Wars Kids. I remember talking with Dan 
Madsen, who was initially in charge of Star Wars Kids, about making the comic 
tie in with the Missions books, and he liked the idea, and said he also liked 
the floating orb-shaped droid, Q-7N, that I'd invented as a character who 
could be free to converse with the reader during the books' interactive game 
sequences.

JB: The last Missions story arc guest-stars Rogue Squadron. When exactly does 
this story take place and when do you figure Rogue Squadron was formed?

RW: I knew that Rogue Squadron or Rogue Group existed by the time of "The 
Empire Strikes Back," and I figured that it might have had a slightly earlier 
incarnation on Yavin Four, after the destruction of the first Death Star. The 
last Missions story arc was still set before the Goodwin/Williamson comic 
strips. Back when I was working on Missions, I had a few long conversations 
with Michael Stackpole (author of the X-Wing novels and comic books) about 
which members of Rogue Squadron would have been on Yavin Four at the time, 
and he helped fill me in on the process for manufacturing bacta, which was 
major plot element of the series.

JB: My friend Abel Pena said you're one of the most informed writers that is 
working in the Star Wars universe. He wants to know how do you "train" for 
writing in the Star Wars world: do you read all this stuff in your spare 
time, listen to audio books to get a general idea? Were there any ideas for 
stories you had that you were not allowed to do? What does you consider your 
best Star Wars work?

RW: Abel "Halagad" Pena said that about me? Wow. Actually, I think Dan 
Wallace is the most informed Star Wars writer. I'm amazed by how much he 
knows. I haven't read all the novels, but I've read most of them. It's the 
reference books that get the most use in my library. Honestly, I owe more to 
Dan Wallace, Steve Sansweet, Bill Smith, and David West Reynolds than I can 
say. Also, Allan Kausch, Jane Mason, and Sarah Hines-Stephens at Lucas 
Licensing are super helpful whenever I have questions or need reference.

Typically, an assignment begins like this: I get a call from an editor, 
asking if I might be interested or available to work on a Star Wars project. 
I always say yes, even if I'm currently swamped, because I just can't resist. 
I try to find out everything I can about the project's parameters: which 
characters I should use, which settings, the page count, etc. As soon as I 
learn the parameters, I begin research on the characters and time period, and 
read any relative books. If I don't have some obscure reference material, I 
call Allan.

One book that involved more work than it might seem, given its format, was 
Episode I Who's Who. After I'd been hired by Running Press, I had to fly to 
Skywalker Ranch, read the screenplay, which was still under lock and key at 
the time, and jot down notes about the various characters. Allan showed me 
sketches of the Jedi Council members and the Podracers, and they all had 
names. But except for Mace Windu, Yoda, and Sebulba, there wasn't any 
biographical information for the other Jedi or aliens. Even though each 
character's bio was only a couple of sentences, I got to invent their 
respective species and homeworlds as well as other personal details. For the 
Podracer entries, I thought it would have been boring if they were all just 
professional competitors, so I made some of them hitmen, novices, 
revenge-minded goons, and so on. Reading through the entries, I think readers 
will get a sense that there's a sprawling backstory behind the Boonta Eve 
Race. When I was done with Episode I Who's Who, I hoped I'd be hired to write 
a novel about the Podracers.

One story idea I wasn't able to work on was about what happens to Darth Vader 
immediately after the destruction of the first Death Star. Back when I was 
writing Missions for Scholastic, I'd proposed a story about Vader and his 
damaged TIE fighter because it fit in with the timeline of the other Missions 
books. I even did research! I'd read through the Goodwin/Williamson comic 
strips, since they were also between Episodes IV and V, and thought it was 
interesting that they never revealed how Darth Vader learned Luke Skywalker's 
identity, that it was Luke who destroyed the Death Star. I found the first 
point in the strip where Darth Vader refers to Luke Skywalker by name, and 
worked backwards from there. The more I read, the more questions I drummed 
up, like, How long did it take for Darth Vader to reach an Imperial outpost? 
Why wasn't the Emperor on the Death Star at Yavin? Drawing from Dark Empire, 
I thought it was conceivable that Palpatine was in the process of assuming a 
new clone body during the events of Episode IV. Anyway, I thought my proposal 
logically tied in with the existing continuity, but by the time I presented 
it, I found out that Dark Horse Comics had just submitted an outline for 
Vader's Quest to Lucasfilm, and that this series covered the same time 
period. I did manage to incorporate some aspects of my original proposal into 
Darth Vader's Return (Star Wars Missions #17).

As for what I'd consider my best Star Wars work, I just don't know. I'm very 
critical of my own work, and often wonder if I could have done something 
better. The best is whatever made a reader grin and want to turn the next 
page instead of wince and try to get a refund in full. But if I had to pick a 
favorite comic, I'd go with Droids #5, the story about Q-E, 2-E, and U-E. 
Like I said, it was the first comic I ever wrote, and I still think it was 
pretty good for a first effort.

JB: Let's talk about your current series for DC Comics "Trouble Magnet: The 
Adventures of Witlock the Robot." I greatly enjoyed the series so far. What's 
the response from other readers?

 RW: Thanks for reading "Trouble Magnet"! For those who haven't seen it yet, 
"Trouble Magnet" is a four-issue series about a robot named Witlock who's 
trying to recover his stolen memory bank. I think of it as a mystery thriller 
disguised as science fiction slug fest. I wrote the script, and the art is by 
Kilian Plunkett. "Trouble Magnet" got a great write up in a recent issue of 
Starlog (#270), and also high marks from Andrew Smith in his syndicated 
column, Captain Comics. We haven't received much of response from readers 
yet, just few messages by way of our website, Trouble Magnet, which has an 
E-mail address (witlock@y...). Both Kilian and I love working on Star 
Wars comics, but it was a real thrill to work on our own creative property 
for a change.

JB: I must admit that I was interested in this series only because of yours 
and Kilian's past Star Wars and Aliens work. But I was pleasantly surprised 
by the story, which is kind of a mystery/suspense yarn. Of course the art is 
always great! I don't read DC comics (except for their Cliffhanger line), but 
I was wondering if Witlock was part of the DC heroes universe. Any chance of 
a cross-over?

RW: Since "Trouble Magnet" is a creator-owned book, it's not part of the DC 
universe, where only corporately-owned characters may roam and fight. I'm 
certainly up for a cross-over. I think it would be a gas to see Witlock 
teamed with some of the more bizarre characters, like Martian Manhunter, 
Metamorpho, or the Doom Patrol.

JB: I get the impression that you and Kilian Plunkett are very good friends 
and this is your dream project.

RW: I won't get all mushy, but yeah, I'd take a bullet for Kilian, even 
though it might be his own fault for aiming at me in the first place. A few 
years after I left Dark Horse, Dan Thorsland (who was by that time working 
for DC Comics) suggested that Kilian and I collaborate on a robot comic book 
series. As far as I'm concerned, Kilian could work with any writer he wanted, 
so I was knocked out when he said he was up to working with me. We both had 
other projects to complete first, but we finally got around to "Trouble 
Magnet." Before I wrote the scripts, Kilian told me his story ideas, and 
before Kilian penciled any pages, I drew up layouts for his consideration. In 
that sense, producing the comic was truly a collaborative process, which I 
found most rewarding. If the four-issue series does well, I really hope we 
can do another.

JB: What does the future have in store for you? Any more adventures for 
Witlock? Any future Star Wars projects?

RW: After I finish Episode I Adventures, I'll be working on the screenplay 
for "Trouble Magnet" Kilian and I are aiming to develop "Trouble Magnet" for 
games and toys. We think it would be great fun to play a computer game that 
has Witlock searching for his lost memories, and having him get increasingly 
stupid over the course of the game. Kilian is currently writing and 
illustrating "Dim Forces" for Star Wars Tales, and anyone who enjoyed The 
Jabba Tape or ever played Dark Forces will definitely want to check it out. I 
have a few other comic book projects that are in development, but nothing's 
contracted yet. Cam Kennedy and I want to collaborate on something, and I'm 
also talking with Mike Manley ("Superman Adventures", "Action Planet") about 
working together on an online comic.

 A few months ago, I finished writing a Star Wars Masterpiece Edition for 
Chronicle Books. Like the previous Masterpiece Editions, this boxed set will 
include both a twelve-inch collectors' figure and a hardcover book about a 
Star Wars character. Until Lucasfilm makes an announcement, I can't disclose 
the title of the project or identify the collectors' figure, but I think it's 
okay if I say that the book is loaded with exclusive photographs and 
illustrations that have never been previously published.

I also wrote a series of mini-comics about the Podracers, which was fun 
because I got to expand on the Podracers' brief biographies that I'd written 
for Episode I Who's Who. I don't know when Dark Horse will be releasing the 
mini-comics, but I'll keep you posted. Beyond that, I'm hoping to be as busy 
with Episode II projects as I've been with Episode I.
-----------------------------

Hope that helps.

--Genghis12

  Message 1537 of 2630    


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